As a group, we understand that it is of the utmost importance to turn up to the shoot with more preparation than a few ideas of shots kept in our head. We need to pay closer attention to detail in composition of the framing.
As well as including the list of shots mentioned in a previous post `Rough Edit Reflections`, I have also noticed that we will need more controlled vibrations of the camera to fit in with the chaotic madness of the chorus `drop` of the song. In particular, I feel that using this vibration technique in corporation with close ups, high angles and tilted frames should be appropriate for the pace and atmosphere.
When we shoot, I think we should have already noted down exactly which type of shot will be the key feature of that particulr take so aren't solely relying on spontaneous camerawork from the cameraman. This method of filming on the day will also allow myself (Daniel) and Adam to have an increased role in directing, since we are the DJs and so have less chance of utilising roles behind the camera.
e.g. Take 1 - CU Vibrating
Take 2 - HA Tilted Angle
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